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-   -   CRF2 Top 100 albums Of All Time #20 to 11 (https://www.crf2.com/showthread.php?t=15085)

Zombeels 03-31-2007 02:55 AM

CRF2 Top 100 albums Of All Time #20 to 11
 
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#20 Bob Dylan - Blood On The Tracks 1975
749 points
Appears on 19 lists
From AMG
Quote:

Following on the heels of an album where he repudiated his past with his greatest backing band, Blood on the Tracks finds Bob Dylan, in a way, retreating to the past, recording a largely quiet, acoustic-based album. But this is hardly nostalgia this is the sound of an artist returning to his strengths, what feels most familiar, as he accepts a traumatic situation, namely the breakdown of his marriage. This is an album alternately bitter, sorrowful, regretful, and peaceful, easily the closest he ever came to wearing his emotions on his sleeve. That's not
to say that it's an explicitly confessional record, since many songs are riddles or allegories, yet the warmth of the music makes it feel that way. The original version of the album was even quieter first takes of "Idiot Wind" and "Tangled Up in Blue," available on The Bootleg Series, Vols. 1-3, are hushed and quiet (excised verses are quoted in the liner notes, but not heard on the record) but Blood on the Tracks remains an intimate, revealing affair since these harsher takes let his anger surface the way his sadness does elsewhere. As such, it's an affecting, unbearably poignant record, not because it's a glimpse into his soul, but because the songs are remarkably clear-eyed and sentimental, lovely and melancholy at once. And, in a way, it's best that he was backed with studio musicians here, since the professional, understated backing lets the songs and emotion stand at the forefront. Dylan made albums more influential than this, but he never made one better.

Zombeels 03-31-2007 02:58 AM

Re: CRF2 Top 100 albums Of All Time #20 to 11
 
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#19 The Who - Tommy 1969
752 points
Appears on 17 lists

From AMG
Quote:

The full-blown rock opera about a deaf, dumb, and blind boy that launched the band to international superstardom, written almost entirely by Pete Townshend. Hailed as a breakthrough upon its release, its critical standing has diminished somewhat in the ensuing decades because of the occasional pretensions of the concept and because of the insubstantial nature of some of the
songs that functioned as little more than devices to advance the rather sketchy plot. Nonetheless, the double album has many excellent songs, including "I'm Free," "Pinball Wizard," "Sensation," "Christmas," "We're Not Gonna Take It,"
and the dramatic ten-minute instrumental "Underture." Though the album was slightly flawed, Townshend's ability to construct a lengthy conceptual narrative brought new possibilities to rock music. Despite the complexity of the project, he and the Who never lost sight of solid pop melodies, harmonies, and forceful instrumentation, imbuing the material with a suitably powerful grace.

Zombeels 03-31-2007 03:00 AM

Re: CRF2 Top 100 albums Of All Time #20 to 11
 
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#18 Led Zeppelin - III 1970
777 points
Appears on 19 lists

From AMG
Quote:

On their first two albums, Led Zeppelin unleashed a relentless barrage of heavy blues and rockabilly riffs, but Led Zeppelin III provided the band with the necessary room to grow musically. While there are still a handful of metallic rockers, III is built on a folky, acoustic foundation that gives the music extra
depth. And even the rockers aren't as straightforward as before: the galloping "Immigrant Song" is powered by Robert Plant's banshee wail, "Celebration Day" turns blues-rock inside out with a warped slide guitar riff, and "Out on the Tiles" lumbers along with a tricky, multi-part riff. Nevertheless, the heart of the album lies on the second side, when the band delve deeply into English folk.
"Gallows Pole" updates a traditional tune with a menacing flair, and "Bron-Y-Aur Stomp" is an infectious acoustic romp, while "That's the Way" and "Tangerine" are shimmering songs with graceful country flourishes. The band hasn't left the blues behind, but the twisted bottleneck blues of "Hats off to (Roy) Harper" actually outstrips the epic "Since I've Been Loving You," which is the only time Zeppelin sound a bit set in their ways.

Zombeels 03-31-2007 03:02 AM

Re: CRF2 Top 100 albums Of All Time #20 to 11
 
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#17 The Who - Quadrophenia 1973
800 points
Appears on 22 lists

From AMG
Quote:

Pete Townshend revisited the rock opera concept with another double-album opus, this time built around the story of a young mod's struggle to come of age in the mid-'60s. If anything, this was a more ambitious project than Tommy, given added weight by the fact that the Who weren't devising some fantasy but were
re-examining the roots of their own birth in mod culture. In the end, there may have been too much weight, as Townshend tried to combine the story of a mixed-up mod named Jimmy with the examination of a four-way split personality (hence the title Quadrophenia), in turn meant to reflect the four conflicting
personas at work within the Who itself. The concept might have ultimately been too obscure and confusing for a mass audience. But there's plenty of great music anyway, especially on "The Real Me," "The Punk Meets the Godfather," "I'm One," "Bell Boy," and "Love, Reign o'er Me." Some of Townshend's most direct,
heartfelt writing is contained here, and production-wise it's a tour de force, with some of the most imaginative use of synthesizers on a rock record. Various members of the band griped endlessly about flaws in the mix, but really these will bug very few listeners, who in general will find this to be one of the Who's most powerful statements.

Zombeels 03-31-2007 03:04 AM

Re: CRF2 Top 100 albums Of All Time #20 to 11
 
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#16 Boston - Boston 1976
863 points
Appears on 23 lists

From AMG
Quote:

Boston is one of the best-selling albums of all time, and deservedly so. Because of the rise of disco and punk, FM rock radio seemed all but dead until the rise of acts like Boston, Tom Petty, and Bruce Springsteen. Nearly every song on Boston's debut album can still be heard on classic rock radio today due to the strong vocals of Brad Delp and unique guitar sound of Tom Scholz. Tom Scholz, who wrote most of the songs, was a studio wizard and used self-designed equipment such as 12-track recording devices to come up with an anthemic "arena rock" sound before the term was even coined. The sound was hard rock, but the layered melodies and harmonics reveal the work of a master craftsman. While much has been written about the sound of the album, the lyrics are often
overlooked. There are songs about their rise from a bar band ("Rock and Roll Band") as well as fond remembrances of summers gone by ("More Than a Feeling"). Boston is essential for any fan of classic rock, and the album marks the re-emergence of the genre in the 1970s.

Zombeels 03-31-2007 03:06 AM

Re: CRF2 Top 100 albums Of All Time #20 to 11
 
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#15 The Doors - The Doors 1967
955 points
Appears on 25 lists

From AMG
Quote:

A tremendous debut album, and indeed one of the best first-time outings in rock history, introducing the band's fusion of rock, blues, classical, jazz, and poetry with a knockout punch. The lean, spidery guitar and organ riffs interweave with a hypnotic menace, providing a seductive backdrop for Jim Morrison's captivating vocals and probing prose. "Light My Fire" was the cut that topped the charts and established the group as stars, but most of the rest of the album is just as impressive, including some of their best songs: the propulsive "Break On Through" (their first single), the beguiling Oriental mystery of "The Crystal Ship," the mysterious "End of the Night," "Take It as It Comes" (one of several tunes besides "Light My Fire" that also had hit potential), and the stomping rock of "Soul Kitchen" and "Twentieth Century Fox." The 11-minute Oedipal drama
"The End" was the group at its most daring and, some would contend, overambitious. It was nonetheless a haunting cap to an album whose nonstop melodicism and dynamic tension would never be equaled by the group again, let alone bettered.

Zombeels 03-31-2007 03:08 AM

Re: CRF2 Top 100 albums Of All Time #20 to 11
 
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#14 Pink Floyd - The Wall 1979
994 points
Appears on 22 lists

From AMG
Quote:

Roger Waters constructed The Wall, a narcissistic, double-album rock opera about an emotionally crippled rock star who spits on an audience member daring to cheer during an acoustic song. Given its origins, it's little wonder that The Wall paints such an unsympathetic portrait of the rock star, cleverly named "Pink," who blames everyone particularly women for his neuroses. Such
lyrical and thematic shortcomings may have been forgivable if the album had a killer batch of songs, but Waters took his operatic inclinations to heart, constructing the album as a series of fragments that are held together by larger numbers like "Comfortably Numb" and "Hey You." Generally, the fully developed songs are among the finest of Pink Floyd's later work, but The Wall is primarily a triumph of production: its seamless surface, blending melodic
fragments and sound effects, makes the musical shortcomings and questionable lyrics easy to ignore. But if The Wall is examined in depth, it falls apart, since it doesn't offer enough great songs to support its ambition, and its self-serving message and shiny production seem like relics of the late-'70s Me Generation.

Zombeels 03-31-2007 03:10 AM

Re: CRF2 Top 100 albums Of All Time #20 to 11
 
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#13 Led Zeppelin - I 1969
1010 points
Appears on 23 lists

From AMG
Quote:

Led Zeppelin had a fully formed, distinctive sound from the outset, as their eponymous debut illustrates. Taking the heavy, distorted electric blues of Jimi Hendrix, Jeff Beck, and Cream to an extreme, Zeppelin created a majestic, powerful brand of guitar rock constructed around simple, memorable riffs and lumbering rhythms. But the key to the group's attack was subtlety: it wasn't just an onslaught of guitar noise, it was shaded and textured, filled with alternating dynamics and tempos. As Led Zeppelin proves, the group was capable of such multi-layered music from the start. Although the extended psychedelic blues of "Dazed and Confused," "You Shook Me," and "I Can't Quit You Baby" often gather the most attention, the remainder of the album is a better indication of what would come later. "Babe I'm Gonna Leave You" shifts from folky verses to pummeling choruses; "Good Times Bad Times" and "How Many More Times" have groovy, bluesy shuffles; "Your Time Is Gonna Come" is an anthemic hard rocker; "Black Mountain Side" is pure English folk; and "Communication Breakdown" is a frenzied rocker with a nearly punkish attack. Although the album isn't as varied as some of their later efforts, it nevertheless marked a
significant turning point in the evolution of hard rock and heavy metal.

Zombeels 03-31-2007 03:12 AM

Re: CRF2 Top 100 albums Of All Time #20 to 11
 
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#12 Rolling Stones - Sticky Fingers 1971
1055 points
Appears on 28 lists

From AMG
Quote:

Pieced together from outtakes and much-labored-over songs, Sticky Fingers manages to have a loose, ramshackle ambience that belies both its origins and the dark undercurrents of the songs. It's a weary, drug-laden album well over half the songs explicitly mention drug use, while the others merely allude to it that never fades away, but it barely keeps afloat. Apart from the classic opener, "Brown Sugar" (a gleeful tune about slavery, interracial sex, and lost virginity, not necessarily in that order), the long workout "Can't You Hear Me Knocking" and the mean-spirited "Bitch," Sticky Fingers is a slow, bluesy affair, with a few
country touches thrown in for good measure. The laid-back tone of the album gives ample room for new lead guitarist Mick Taylor to stretch out, particularly on the extended coda of "Can't You Hear Me Knocking." But the key to the album isn't the instrumental interplay although that is terrific it's the utter weariness of the songs. "Wild Horses" is their first nonironic stab at a country song, and it is a beautiful, heart-tugging masterpiece. Similarly, "I Got the
Blues" is a ravished, late-night classic that ranks among their very best blues. "Sister Morphine" is a horrifying overdose tale, and "Moonlight Mile," with Paul Buckmaster's grandiose strings, is a perfect closure: sad, yearning, drug-addled, and beautiful. With its offhand mixture of decadence, roots music, and outright malevolence, Sticky Fingers set the tone for the rest of the decade for the Stones.

Zombeels 03-31-2007 03:14 AM

Re: CRF2 Top 100 albums Of All Time #20 to 11
 
1 Attachment(s)
#11 Led Zeppelin - II 1969
1112 points
Appears on 26 lists

From AMG
Quote:

Recorded quickly during Led Zeppelin's first American tours, Led Zeppelin II provided the blueprint for all the heavy metal bands that followed it. Since the group could only enter the studio for brief amounts of time, most of the songs that compose II are reworked blues and rock & roll standards that the band was performing on-stage at the time. Not only did the short amount of time result in
a lack of original material, it made the sound more direct. Jimmy Page still provided layers of guitar overdubs, but the overall sound of the album is heavy and hard, brutal and direct. "Whole Lotta Love," "The Lemon Song," and "Bring It on Home" are all based on classic blues songs only, the riffs are simpler and louder and each song has an extended section for instrumental solos. Of the
remaining six songs, two sport light acoustic touches ("Thank You," "Ramble On"), but the other four are straight-ahead heavy rock that follows the formula of the revamped blues songs. While Led Zeppelin II doesn't have the eclecticism of the group's debut, it's arguably more influential. After all, nearly every one of the hundreds of Zeppelin imitators used this record, with its lack of dynamics and its pummeling riffs, as a blueprint.

Dragon Phoenix 03-31-2007 03:47 AM

Re: CRF2 Top 100 albums Of All Time #20 to 11
 
Six this time - slowly improving in terms of percentage (Who, LZ, Floyd).

ozbeat 03-31-2007 03:52 AM

Re: CRF2 Top 100 albums Of All Time #20 to 11
 
own 9 of these......the "big 5" really dominating the list now

zeppboy 03-31-2007 04:02 AM

Re: CRF2 Top 100 albums Of All Time #20 to 11
 
I have all of these. It seems strange that Zepp III was higher than Physical Graffiti.

i said woof 03-31-2007 04:31 AM

Re: CRF2 Top 100 albums Of All Time #20 to 11
 
all 10 too.. always thought blonde on blonde was more popular than blood on the tracks with the classic rock folks

CWA 03-31-2007 04:42 AM

Re: CRF2 Top 100 albums Of All Time #20 to 11
 
I have all of these albums. I'm surprised at how high Zep III and Blood on the Tracks did. But the rest are well deserved.

This list is shaping up very well. :thumbsup:

freedom 03-31-2007 05:36 AM

Re: CRF2 Top 100 albums Of All Time #20 to 11
 
6/10 this time.

the roser 03-31-2007 08:29 AM

Re: CRF2 Top 100 albums Of All Time #20 to 11
 
Is the top ten gonna be all beatles? wait, add two floyds and a zep.

That 70s Guy 03-31-2007 08:31 AM

Re: CRF2 Top 100 albums Of All Time #20 to 11
 
I own....

#16 Boston
#14 The Wall (my #1)
#12 Sticky Fingers

good to see Boston in there! :thumbsup:


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