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#1 |
Why the evolution of the term "prog"?
I hate the way the word "prog" has evolved over the years.
When I was first exposed to the term "progressive rock" in the late sixties on Thomas Aquinas' show on CFPL in London, it was used to mean any rock music that had any pretentions beyond the most simplistic pop of artists such as Herman's Hermits, Petula Clark, Tommy James & the Shondells, Dave Clark Five, Beach Boys, James Brown, the Supremes, Wilson Pickett, Righteous Brothers, Monkees, Everly Brothers, Four Tops, Leslie Gore, etc. As such the music of groups as varied as the Beatles, Rolling Stones, Yardbirds, Cream, Led Zeppelin, Jethro Tull, Traffic, Santana, Animals, King Crimson, Ten Years After, Jefferson Airplane, Bee Gees, Doors and the Kinks was all classified as progressive rock. But prog on this board seems to be very narrowly applied to the art rock of such groups as Yes, Electric Light Orchestra, King Crimson, Vanilla Fudge, Pink Floyd, Rush, Moody Blues and Emerson, Lake & Palmer. I'm not pleased with this development. I prefer the broader definition. What happened? ![]() |
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#2 |
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Re: Why the evolution of the term "prog"?
Cindylea could tell you the best.
Look at Prog Archives top albums of all time and you see a variety of bands...including some of those you mentioned. Thick As A Brick - JETHRO TULL Prog Folk Selling England By The Pound - GENESIS Symphonic Prog Foxtrot - GENESIS Symphonic Prog Close to the Edge - YES Symphonic Prog Wish You Were Here - PINK FLOYD Psychedelic/Space Rock Dark Side Of The Moon - PINK FLOYD Psychedelic/Space Rock In The Court Of The Crimson King - KING CRIMSON Eclectic Prog Crime of the Century - SUPERTRAMP Crossover Prog Godbluff - VAN DER GRAAF GENERATOR Eclectic Prog Pawn Hearts - VAN DER GRAAF GENERATOR Eclectic Prog Quadrophenia - WHO, THE Proto-Prog Si On Avait Besoin D'Une Cinquième Saison - HARMONIUM Symphonic Prog Animals - PINK FLOYD Psychedelic/Space Rock Hamburger Concerto - FOCUS Symphonic Prog Per Un Amico - PREMIATA FORNERIA MARCONI Italian Symphonic Prog Moving Pictures - RUSH Heavy Prog Red - KING CRIMSON Eclectic Prog In a Glass House - GENTLE GIANT Eclectic Prog Birds of Fire - MAHAVISHNU ORCHESTRA Jazz Rock/Fusion Depois Do Fim - BACAMARTE Symphonic Prog Uomo Di Pezza - ORME, LE Italian Symphonic Prog A Farewell to Kings - RUSH Heavy Prog Elegant Gypsy - DI MEOLA, AL Jazz Rock/Fusion Nursery Cryme - GENESIS Symphonic Prog Hybris - ANGLAGARD Symphonic Prog Io Sono Nato Libero - BANCO DEL MUTUO SOCCORSO Italian Symphonic Prog Still Life - OPETH Tech/Extreme Prog Metal Fragile - YES Symphonic Prog Storia Di Un Minuto - PREMIATA FORNERIA MARCONI Italian Symphonic Prog Hot Rats - ZAPPA, FRANK RIO/Avant-Prog Eros - DUN Zeuhl Still Life - VAN DER GRAAF GENERATOR Eclectic Prog Hemispheres - RUSH Heavy Prog Moonmadness - CAMEL Symphonic Prog Argus - WISHBONE ASH Prog Related Relayer - YES Symphonic Prog Remedy Lane - PAIN OF SALVATION Progressive Metal Larks' Tongues in Aspic - KING CRIMSON Eclectic Prog Radio Gnome Invisible Vol. 3 - You - GONG Canterbury Scene Darwin! (original version) - BANCO DEL MUTUO SOCCORSO Italian Symphonic Prog Red Queen to Gryphon Three - GRYPHON Prog Folk The Perfect Element Part 1 - PAIN OF SALVATION Progressive Metal Script For A Jester's Tear - MARILLION Neo Progressive Free Hand - GENTLE GIANT Eclectic Prog In The Land Of Grey And Pink - CARAVAN Canterbury Scene Rock Bottom - WYATT, ROBERT Canterbury Scene One of a Kind - BRUFORD, BILL Jazz Rock/Fusion Ommadawn - OLDFIELD, MIKE Crossover Prog Boris - YEZDA URFA Eclectic Prog The Doors - DOORS, THE Proto-Prog Scheherazade and Other Stories - RENAISSANCE Symphonic Prog Aqualung - JETHRO TULL Prog Folk Cantofabule (Cantafabule) - PHOENIX Prog Folk Revolver - BEATLES, THE Proto-Prog The Human Equation - AYREON Progressive Metal Caravanserai - SANTANA Jazz Rock/Fusion The Lamb Lies Down On Broadway - GENESIS Symphonic Prog Octopus - GENTLE GIANT Eclectic Prog Valentyne Suite - COLOSSEUM Jazz Rock/Fusion Lateralus - TOOL Experimental/Post Metal The Snow Goose - CAMEL Symphonic Prog H to He, Who Am the Only One - VAN DER GRAAF GENERATOR Eclectic Prog Memento Z Banalnym Tryptykiem - S.B.B. Jazz Rock/Fusion Mirage - CAMEL Sgt. Pepper's Lonely Hearts Club Band - BEATLES, THE Who's Next - THE WHO Scenes From A Memory Metropolis Part II - DREAM THEATER Progressive Metal Queen II - QUEEN https://www.progarchives.com/top-prog...?salbumtypes=1
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#3 |
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Re: Why the evolution of the term "prog"?
Petula Clark is hardly progressive - by any definition of the word
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Re: Why the evolution of the term "prog"?
Because if we cant generalise we end up with stupidly large amounts of genres.
Post-prog, nu-prog, pirate-prog, prog-prog, classic prog, death-prog etc. |
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#5 |
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Re: Why the evolution of the term "prog"?
I think the simplest way to characterize the term "prog"'s usage here at CRF2 is that it pertains to Progressive Rock, as opposed to progressive rock.
Like CrazyDiamond said, it's easier if there's a more general term for "that" kind of music...let the geeks parse and delineate further if they'd like.
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#6 |
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Re: Why the evolution of the term "prog"?
You misread the sentence..." Prog Rock...was used to mean any rock music that had had any pretentions beyond the most simplistic pop of arists such as Herman's Hermits, Petula Clark, "
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#7 |
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Re: Why the evolution of the term "prog"?
Prog Archives definition...
Progressive rock is an ambitious, eclectic, and often grandiose style of rock music which arose in the late 1960s principally in England, reaching the peak of its popularity in the early 1970s. Progressive rock was largely a European movement, and drew most of its influences from classical music and jazz fusion, in contrast to American rock, which was influenced by rhythm & blues and country, although there are notable exceptions in the New World such as Kansas and Rush — considered by many to be the finest examples of the form. Over the years various sub-genres of progressive rock have emerged, such as symphonic rock, art rock and progressive metal. Progressive rock artists sought to move away from the limitations of radio formatted rock and pop, and "progress" rock to the point that it could achieve the sophistication of jazz or classical music. Prog Archives reviews over 2000 bands with 9600 titles, not a narrow definition at all.
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#8 |
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Re: Why the evolution of the term "prog"?
Got any proof of that was the term he was using in the late 60's? If he was using the term back then it was a random term he was using. The definition of what prog rock is according to various books and websites is pretty much what Annie got from prog archives. Its this standard that has been used since the mid to late 70's and is universally used around the world. It is broken down into many sub genre's and some band are debatable. For instance Prog archives uses proto prog as a category for certain albums by The Beatles, The Who, Queen, The Doors which IMHO don't consider prog.
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#9 | |
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Re: Why the evolution of the term "prog"?
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#10 |
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Re: Why the evolution of the term "prog"?
By the very nature of the word itself -- "progressive" -- the music is in a constant state of evolution and motion.
All of the sub genres are there because like all genres, "progressive" music has splintered and divided itself many times over. Certainly ELP and Yes play a different variation of progressive rock than Mars Volta or Radiohead. Jethro Tull is a completely different animal than Rush. You get the idea...
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#11 |
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Re: Why the evolution of the term "prog"?
In the early 1970s here in Tennessee, the term "progressive rock" was used exactly as Hepcat described it. It was any music or artist in the broader parameters of the pop or rock genres who aimed beyond the limited parameters of "hit radio" formats towards something more artistic. This could even include a group like The Monkees when they released something like "Porpoise Song".
Progressive rock was, in the early stages of the term's usage, more about the kind of music than the artist who presented it. Neil Diamond and Carole King, for instance, were played on "progressive rock" stations in the early 70s because their music was perceived as pursuing artistic goals more than commercial success. Even John Denver sometimes got airplay on such stations, depending on the the perceived "progressiveness" of the song or album. Around the time of the Rocky Mountain High and Farewell Andromeda albums, he actually got a fair amount of "FM rock" airplay. I know. I was there, I was listening. I understand why the term has become more strictly defined over the past 30 years. But to me that's part of the "straitjacket" that we've gotten into musically, and it's not a healthy mindset for the progress of musical creativity in general.
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#12 | |
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Among the artists from the sixties who put out simple, unpretentious music was this group: Herman's Hermits Petula Clark Tommy James & the Shondells Dave Clark Five Beach Boys Johnny Rivers Ronettes Gerry & the Pacemakers James Brown & His Famous Flames Supremes Wilson Pickett Trashmen Archies Righteous Brothers Chad & Jeremy Marvin Gaye Monkees Everly Brothers Four Tops Leslie Gore Roy Orbison Gene Pitney Four Seasons Lou Christie Freddie & the Dreamers Otis Redding Guess Who Gary Lewis & the Playboys Dusty Springfield Peter & Gordon Among the artists from the late sixties who aspired to something more, which some DJs including Thomas Aquinas labelled progressive rock, was this group: Beatles Rolling Stones Yardbirds Cream Led Zeppelin Jethro Tull Traffic John Mayall & the Bluesbreakers Byrds Lovin' Spoonful Buffalo Springfield Deep Purple Santana Animals Who King Crimson Ten Years After Jefferson Airplane Bee Gees Doors Kinks Grateful Dead Jeff Beck Group Quicksilver Messenger Service Spirit Them Spencer Davis Group Nice Donovan Fleetwood Mac Jimi Hendrix Experience Simon & Garfunkle Mamas & the Papas Paul Butterfield Blues Band Electric Prunes Big Brother & the Holding Company Bob Dylan Vanilla Fudge Pink Floyd ![]() |
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#14 | |
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Re: Why the evolution of the term "prog"?
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#15 | ||
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Re: Why the evolution of the term "prog"?
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"Progressive rock and art rock are two almost interchangeable terms describing a mostly British attempt to elevate rock music to new levels of artistic credibility. Prog-rock began to emerge out of the British psychedelic scene in 1967, specifically a strain of classical/symphonic rock led by the Nice, Procol Harum, and the Moody Blues (Days of Future Passed). King Crimson's 1969 debut In the Court of the Crimson King firmly established the concept of progressive rock, and a quirky, eclectic scene was taking shape in Canterbury, led by the jazzy psychedelia of the Soft Machine. Prog-rock became a commercial force in the early '70s, with Emerson, Lake & Palmer, Yes, Jethro Tull, Genesis, and Pink Floyd leading the way. Meanwhile, a more avant-garde scene (dubbed Kraut-rock) was developing in Germany, and eccentric, unclassifiable bands continued to emerge in the U.K. By the mid-'70s, a backlash was beginning to set in; prog-rock sometimes mistook bombast for majesty, and its far-reaching ambition and concern with artistic legitimacy could make for overblown, pretentious music. Its heyday soon came to an end with the advent of punk, which explicitly repudiated prog's excesses and aimed to return rock & roll to its immediate, visceral roots. Still, prog-rock didn't completely go away. A number of AOR bands used prog ideas in more concise songs; plus, Pink Floyd, Yes, and Genesis all had number one singles in the '80s by retooling their approaches. A small cult of neo-prog bands catered to faithful audiences who still liked grandiose concepts and flashy technique; the first was Marillion, and many more popped up in the late '80s and early '90s."
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#16 | ||
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If, however, you mean post the outbreak of psychedelic rock in 1967 but prior to the end of the sixties, the answer would be "Yes." Here's some examples of artists from the late sixties who did not fit my definition of progressive rockers: Andy Kim, Monkees, Bobby Sherman, Archies, Jackson Five, Bobby Goldsboro, Barbara Streisand, Aretha Franklin, Tony Orlando & Dawn, etc. Quote:
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#17 |
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Re: Why the evolution of the term "prog"?
when i think of progressive rock i think of yes,emerson,lake and palmer,jethro tull,genesis and pink floyd mostly.
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#18 |
your opinion which is of no consequence at all
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Re: Why the evolution of the term "prog"?
Hepcat-I think you take not being prog rock the wrong way. I love prog rock but certainly don't stop there when it comes to great music.
Bands like Led Zep and Black Sabbath were so progressive that they started their own genre In the case of Jefferson Airplane, Grateful Deaed, Quick Silver Messenger Service,Big Brother & the Holding Company it waseasier to see them lumped together and categorized together. Doesn't not make them progressive just not prog rock cause they started something else. |
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